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Books Update: True Grit

Donna Tartt on the life and work of Charles Portis
John Wayne, left, and Charles Portis, on the set of the 1969 movie version of Portis’s novel “True Grit.” Portis “understood, and conveyed, the grain of America, in ways that may prove valuable in future to historians trying to understand what was decent about us as a nation,” Donna Tartt writes.Paramount Pictures, via Photofest

Dear Reader,

Charles Portis is one of those writers whose names regularly elicit descriptors like “underappreciated” or “writers’ writer.” When he died earlier this year, The Times’s obituary referred to him as “possibly the nation’s best unknown writer.”

Portis is also a favorite of journalists, possibly in part because he once was one. As our obituary noted, “He had covered the civil rights movement in the South: riots in Birmingham, Ala.; the jailing of the Rev. Dr. Martin Luther King Jr. in Albany, Ga.; Gov. George C. Wallace’s attempt to stop the desegregation of the University of Alabama,” before leaving The New York Herald Tribune in 1964 to write fiction full time.

Donna Tartt, the best-selling author of “The Goldfinch,” “The Secret History” and “The Little Friend,” writes our cover essay on Portis, whom she knew. She recorded the audiobook version of “True Grit,” which is probably his best-known novel and the basis for a terrific movie by the Coen brothers (as well as a 1969 adaptation starring John Wayne). Tartt also wrote the foreword to a recent edition of the novel. Here, she writes about her relationship with Portis and the full body of his work.

Elsewhere in this issue, new fiction by J. Courtney Sullivan and Ottessa Moshfegh, new literature in translation, new graphic novels, new poetry and thrillers.

For another glimpse into literary history, please check out our back page, which revives the review James Baldwin wrote for us of Langston Hughes’s “Selected Poems.” Hughes, in turn, also reviewed Baldwin in our pages (“Notes of a Native Son”). For the record, we do not allow reciprocal reviews anymore! But we are happy to have these treasures from our archives to look back on.

Please stay in touch and let us know what you think — whether it’s about this newsletter, our reviews, our podcast, our literary calendar, our Instagram or what you’re reading. We read and ponder all of it. I even write back, albeit belatedly. You can email me at books@nytimes.com.

Pamela Paul

Editor of The New York Times Book Review

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