 | | David Pearson |
|
It’s hard to deny the political tension of this moment. Pervasive civic unrest — amid a pandemic, an economic crisis and nationwide protests about race and policing — makes the impending presidential election seem especially significant. In this week’s issue we consider fiction’s role in all of this. Can novels help us make sense of the political scene and better understand what lies ahead? Do fiction writers have any responsibility toward current events? Do readers turn to fiction to gain a deeper understanding of the world’s political questions? |
We also look at new political fiction in this issue, including the inventive and thought-provoking novel “Homeland Elegies,” by the Pulitzer-winning playwright and fiction writer Ayad Akhtar; “Transcendent Kingdom,” Yaa Gyasi’s follow up to her acclaimed debut novel, “Homegoing”; and Lawrence Osborne’s latest page-turner, “The Glass Kingdom,” set in a politically volatile Bangkok. |
Be sure to sign up for our next Book Review Live event, tied to the theme of this issue. On Wednesday, Sept. 16, at 4:30 p.m., our critic Parul Sehgal welcomes Ayad Akhtar, Marlon James and Rachel Kushner for an afternoon of readings and conversation, exploring the intersection of fiction with our current political realities. |
Please stay in touch and let us know what you think — whether it’s about this newsletter, our reviews, our podcast, our literary calendar, our Instagram or what you’re reading. We read and ponder all of it. I even write back, albeit belatedly. You can email me at books@nytimes.com. |
Editor of The New York Times Book Review |
 | | Illustration by Thoka Maer |
|
|
Comentarios
Publicar un comentario
Escribe tus comentarios aqui: