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Books Update: The Politics of Fiction

Reviews of new novels by Ayad Akhtar, Yaa Gyasi, Lawrence Osborne and others
David Pearson

Dear Reader,

It’s hard to deny the political tension of this moment. Pervasive civic unrest — amid a pandemic, an economic crisis and nationwide protests about race and policing — makes the impending presidential election seem especially significant. In this week’s issue we consider fiction’s role in all of this. Can novels help us make sense of the political scene and better understand what lies ahead? Do fiction writers have any responsibility toward current events? Do readers turn to fiction to gain a deeper understanding of the world’s political questions?

As part of the issue, we asked four writers — Margaret Atwood, Héctor Tobar, Thomas Mallon and Brenda Wineapple — to look back at works of fiction that have illuminated the politics of their moments especially well, and to suggest why those books may bear revisiting today.

We also look at new political fiction in this issue, including the inventive and thought-provoking novel “Homeland Elegies,” by the Pulitzer-winning playwright and fiction writer Ayad Akhtar; “Transcendent Kingdom,” Yaa Gyasi’s follow up to her acclaimed debut novel, “Homegoing”; and Lawrence Osborne’s latest page-turner, “The Glass Kingdom,” set in a politically volatile Bangkok.

Be sure to sign up for our next Book Review Live event, tied to the theme of this issue. On Wednesday, Sept. 16, at 4:30 p.m., our critic Parul Sehgal welcomes Ayad Akhtar, Marlon James and Rachel Kushner for an afternoon of readings and conversation, exploring the intersection of fiction with our current political realities.

Please stay in touch and let us know what you think — whether it’s about this newsletter, our reviews, our podcast, our literary calendar, our Instagram or what you’re reading. We read and ponder all of it. I even write back, albeit belatedly. You can email me at books@nytimes.com.

Pamela Paul

Editor of The New York Times Book Review

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